Yuni Kawamura Presents at Museum of Fine Arts, St. Petersburg

This triptych includes, at left, a reproduction of Vincent Van Gogh's painting "Courtesane," which features a Japanese woman wearing a bright multicolor kimono, centered in a mustard yellow rectangle, which is framed by renderings of bamboo, waterlilies, and egrets. The center image of the triptych is a photo of a 1913 kimono-inspired satin, silk, and chiffon evening dress that is black, white, and pink, and is embellished with glass beading. The image at right is a reproduction of the 1843 painting"Tanabata No Take" by Yoshitama Utagawa. It shows a woman in classic geisha dress: black hair in an updo and she wears and flowing patterned kimono.
Image courtesy of the Museum of Fine Arts, St. Petersburg.

Professor Yuniya (Yuni) Kawamura, Sociology, was an invited guest speaker at the Museum of Fine Arts in St. Petersburg, Florida in late April. Her presentation, titled “Cultural Appropriation and Appreciation of Kimono in Western Fashion and Art,” examined the boundary between appreciation and appropriation, comparing and contrasting the differing viewpoints of Japanese Americans and native Japanese people who were born and raised in Japan.

The event took place in conjunction with the exhibition Kimono: The Triumph of Japanese Dress, which features over 100 kimonos dating back to the late Edo period (1603–1867) through the Shōwa era (1926–1989). The exhibition, which runs through June 8, was curated by Stanton Thomas, the museum’s chief curator, and Jason Wyatt, director of collections management.

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