Michelle Handelman, acting chair, Film, Media, and Performing Arts, published an article in the latest issue of Framework: The Journal […]
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Tag: Film and Media
Michelle Handelman Receives 2019 Creative Capital Award
Creative Capital has selected a new project titled DELIRIUM by Michelle Handelman, acting chair, Film and Media, for a 2019 […]
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Meira Goldberg Book on Race and Flamenco Named No. 1 New Release by Amazon
Sonidos Negros: On the Blackness of Flamenco, by K. Meira Goldberg, Film, Media, and Performing Arts, has just been released […]
Read moreFilm and Media Screening Series: ‘We the Animals,’ with Jeremiah Zagar
The Film and Media Screening series will present We the Animals (2018) with director Jeremiah Zagar; he will participate in a Q&A […]
Read moreFilm and Media Screening Series: ‘The History of Luminous Motion,’ with Bette Gordon
The Film and Media Screening series will present The History of Luminous Motion (1998) with director Bette Gordon; she will […]
Read moreInternational Conference: The Body Questions: Celebrating Flamenco’s Tangled Roots
October 15 and 16 The Foundation for Iberian Music at The Barry S. Brooks Center for Music Research and Documentation […]
Read moreInternational Conference: The Body Questions: Celebrating Flamenco’s Tangled Roots
October 15 and 16 The Foundation for Iberian Music at The Barry S. Brooks Center for Music Research and Documentation […]
Read moreTeachable Moments: Criss-Crossing the Globe: Flamenco Film and Performance
This event, sponsored by the FIT Diversity Council, features a screening of the documentary Triana, Pura y Pura by Ricardo Pachón, […]
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Work by Michelle Handelman Featured in Exhibition at the Contemporary Arts Museum Houston
Michelle Handelman, Film, Media, and Performing Arts, has work featured in the groundbreaking exhibition Walls Turned Sideways: Artists Confront the Justice […]
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Preeminent Documentarian Frederick Wiseman Comes to FIT
No one in the world makes movies like director Frederick Wiseman. His earliest documentaries, including Titicut Follies (1967), which exposed the […]
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