Alessandro Trincone, “Annodami”, Spring/Summer 2017. Photograph by Gioconda & August. Courtesy, Museum of Fine Arts, Boston.
Above: The cover photo of Young Thug’s 2016 album Jeffery, showing the rapper in this dress from Alessandro Trincone’s “Annodami” collection, was a signature image for the exhibition, since both artists see the gesture as empowering. “I feel like there’s no such thing as gender,” Young Thug has said.
Above: The MFA put out a call online for photos of gender-nonconforming Bostonians in advance of the show, and Tanekwah’s “dapper femme” look rose to the top. Finamore says she incorporated street style to keep the exhibition “close to real, lived experience.” Nonbinary people often face harassment in public, but in the show, large-scale display screens celebrate their difference.
Viktor & Rolf A/W 2003, One Woman Show, Look 32. Courtesy, Museum of Fine Arts, Boston.
Above: Look 32 from Viktor & Rolf’s 2004 “One Woman Show” collection drew on androgynous actor Tilda Swinton as inspiration. (All the models in the show were Swinton lookalikes.) Swinton’s role as the eponymous gender-morphing protagonist of the 1992 film Orlando remains a touchstone for nonbinary fashion, Finamore says.
Dandy Queens, Paris 2014. Photographer: Prisca M. Monnier. Photo courtesy Prisca M. Monnier and Museum of Fine Arts, Boston.
Above: Standard fashion history texts often leave out contributions from people of color and unconventional individuals, Finamore says, and she wanted the show to be inclusive. Prisca Monnier’s 2014 fashion editorial Dandy Queens featured black models and flouted the traditional fashion dichotomy of suits for men and skirts for women. Among the photographer’s inspirations was Mary Edmonds Walker, the Civil War surgeon and suffragist who wore pants throughout her life.
Unisex Couture Look #3 – Coat – From Rad Hourani Unisex Couture Collection #9, Fall/Winter 2012. Courtesy Museum of Fine Arts, Boston.
Above: The final room in the exhibition contains a section called “Transcend,” which presents contemporary designers like Canadian Rad Hourani who, with outfits like “Unisex Couture Look #3,” tries “to do away with the fashion binary altogether,” Finamore says.
Above: For a gender bending show, should your mannequins be male, female, or neither? “In my perfect world, we would have invisible mounts,” Finamore says, though that solution wouldn’t work for Belgian Walter Van Bierendonck’s glorious green outfit, left, which comes with a head piece. Designer Palomo Spain employs male models to show fashions like the metallic brocade floral cape, center, but anyone can wear them. Comme des Garçons created the femme/butch look on the right.
Image at top of page and above: Gender Bending Fashion exhibition at the Museum of Fine Arts, Boston. March 21 – August 25, 2019. Photographer: Michael Blanchard. Courtesy, Museum of Fine Arts, Boston.
Listen to Finamore’s interview on Dressed, the podcast written and hosted by Fashion and Textiles alumnae April Calahan ’10, special collections associate and curator of manuscript collections, and Cassidy Zachary ’13, a PhD candidate in History at the University of New Mexico.
The exhibition closes August 25.
Above: The cover photo of Young Thug’s 2016 album Jeffery, showing the rapper in this dress from Alessandro Trincone’s “Annodami” collection, was a signature image for the exhibition, since both artists see the gesture as empowering. “I feel like there’s no such thing as gender,” Young Thug has said.
Above: The MFA put out a call online for photos of gender-nonconforming Bostonians in advance of the show, and Tanekwah’s “dapper femme” look rose to the top. Finamore says she incorporated street style to keep the exhibition “close to real, lived experience.” Nonbinary people often face harassment in public, but in the show, large-scale display screens celebrate their difference.
Above: Look 32 from Viktor & Rolf’s 2004 “One Woman Show” collection drew on androgynous actor Tilda Swinton as inspiration. (All the models in the show were Swinton lookalikes.) Swinton’s role as the eponymous gender-morphing protagonist of the 1992 film Orlando remains a touchstone for nonbinary fashion, Finamore says.
Above: Standard fashion history texts often leave out contributions from people of color and unconventional individuals, Finamore says, and she wanted the show to be inclusive. Prisca Monnier’s 2014 fashion editorial Dandy Queens featured black models and flouted the traditional fashion dichotomy of suits for men and skirts for women. Among the photographer’s inspirations was Mary Edmonds Walker, the Civil War surgeon and suffragist who wore pants throughout her life.
Above: The final room in the exhibition contains a section called “Transcend,” which presents contemporary designers like Canadian Rad Hourani who, with outfits like “Unisex Couture Look #3,” tries “to do away with the fashion binary altogether,” Finamore says.
Above: For a gender bending show, should your mannequins be male, female, or neither? “In my perfect world, we would have invisible mounts,” Finamore says, though that solution wouldn’t work for Belgian Walter Van Bierendonck’s glorious green outfit, left, which comes with a head piece. Designer Palomo Spain employs male models to show fashions like the metallic brocade floral cape, center, but anyone can wear them. Comme des Garçons created the femme/butch look on the right.
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